LANDS END TOTEM, 2022, acrylic and charcoal on 1/2 inch plywood, 84 x 24 x 24 inches

Installation view: Carving with Color, 2022, Sugarlift, New York, NY

LANDS END TOTEM, 2022, acrylic and charcoal on 1/2 inch plywood, 84 x 24 x 24 inches

Installation view: Carving with Color, 2022, Sugarlift, New York, NY

LANDS END TOTEM (detail), 2022, acrylic and charcoal on 1/2 inch plywood, 84 x 24 x 24 inches

LANDS END TOTEM (detail), 2022, acrylic and charcoal on 1/2 inch plywood, 84 x 24 x 24 inches

LANDS END TOTEM (detail), 2022, acrylic and charcoal on 1/2 inch plywood, 84 x 24 x 24 inches

LANDS END TOTEM (detail), 2022, acrylic and charcoal on 1/2 inch plywood, 84 x 24 x 24 inches

LANDS END TOTEM (detail), 2022, acrylic and charcoal on 1/2 inch plywood, 84 x 24 x 24 inches

BROAD COVE TOTEMS, 2010, charcoal and latex on plywood, dimensions variable

Installation view: 2010, Broad Cove, Islesboro, Maine

PRIMITIVE BLOCKS, 2011, plywood, dimensions variable, set of 10

Installation view: Museum of Arts and Design (MAD), New York City

TOTEM FOREST, 2007, acrylic on MDF, dimensions variable, set of 12

Installation view: 2008/2009, Free Form, Carlos Gallery at Sewanee: The University of the South, Sewanee, Tennessee

TOTEM FOREST STUDY 1

2007, graphite on paper, 38 x 50 inches

TOTEM FOREST STUDY 2

2007, graphite on paper, 38 x 50 inches

2003, studio installation of Untitled painting, which generated forms for Red Sculpture, Hannah Curves, Balsa Models and Model Drawings.

MODEL DRAWINGS

2003, charcoal on paper, each drawing 12 x 9 inches
 

BALSA MODELS

2003, balsa wood, dimensions variable

HANNAH CURVES

2003, 1/8 inch Plexiglass, dimensions variable
(Modeled after French curves, these became unique drawing tools for further form generation.)

RED SCULPTURE

2003, latex on MDF, 42 x 46 x 46 inches